retrofuturist wrote:Greetings Dan,
I've only read the extract that was provided in the original post, but as I said, it was enough for me to see that the author prizes philosophy over liberation. As for me, I've got a Bachelor of Arts, majoring in philosophy, and whilst it's all very interesting, and it's all very good as a method of examining ethics and so on, it doesn't provide a path to liberation.
That liberation is what the Buddha achieved, and that is what he taught, and those teachings are recorded in the suttas.
It's a bit like how if you know that you're a vegetarian and you've got your reasons for it, and then Sam Kekovic comes on TV telling you its un-Australian not to eat lamb on Australia Day... well, you know it's just not worth listening to.... not worth stressing yourself about, because you don't need to resolve and combine every single bit of information that floods us... if it is of no value to you, it should be put down.
I hope that provided some extra detail.
Metta,
Retro.

Thanks, Retro!
I read the whole thing and I don't think that the comment "that the author prizes philosophy over liberation" applies to the entire piece. From what I've heard he is a very active monk, hands-on type of monk.
My feeling was that the author who had been a Theravada monk for some 25 years at the time of writing was deeply disenchanted with the way he saw Theravada develop and being practiced in the temples and countries where he'd lived.
Personally I felt that his heart must've been bleeding for the Buddhadhamma and it is out of that sentiment largely that he wrote what he did, rather than from a penchant for fault-finding. He has also written many non-critical dhamma texts.
But that extract too makes some interesting (if not completely valid points). Does one believe that the experiential exploration of the Buddhadhamma involves passing the stages as described in the Abhidhamma or a more creative personal adventure that results in brilliant investigations such as by Nagarjuna, Dogen, etc as mentioned?
Should the Dhamma when correctly applied bring about a vibrant and creative culture, rich in Arts, Science, Literature and Ethics? I realise that these are not the Dhamma, but do they not proceed from a sense of creativity which in turn goes with liberation (to some extent)?
But he makes many different points in the book, and I'd recommend it to any Buddhist, not just Theravada. Perhaps not at the start of the path, but certainly after a while!
_/|\_