Kim O'Hara wrote:
but bringing 'God' into this discussion as the ultimate creator (i.e. inspiration, if not direct creator) of anyone's art work derails the discussion completely
thought the easiest solution was to cut him/her/it out of the discussion
Since I happen not to believe in the existence of this interventionist kind of God*
*FWIW, I have grave doubts about any other kind, too.
?Annapurna wrote:Conclusion: For lack of a better word to describe things not man-made, such as nature, Maya used the word 'God'.
Can we agree on that and go?
Kim O'Hara wrote:Annapurna wrote:Conclusion: For lack of a better word to describe things not man-made, such as nature, Maya used the word 'God'.
Can we agree on that and go?
Isn't 'nature' a better word for 'nature'?
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But OK, use 'God' if you must - so long as you then don't fall into the trap of believing that this "God" has wishes or intentions akin to our own and expressed through direct action in the world. (I know, I shouldn't need to say that. But it can be incredibly difficult to avoid falling back into the mental and verbal habits of our profoundly Christianised culture.)
I really meant it when I said that derails the discussion. There's a logical rule which I think of as, 'If [impossible] then [anything].' I couldn't find it when I went looking for it a minute ago but it does apply.
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Kim
Isn't 'nature' a better word for 'nature'?
As you say chownah, both "ordinary objects" and "works of art" can provoke insight however "ordinary objects" (which by ordinary I'm presuming you mean natural/organic) have been fashioned/shaped by the designs of something other than the body-mind of man - let's call this something other God for convenience, "works of art" obviously haven't been fashioned/shaped by the designs of God.
Annapurna wrote:MayaRefugee wrote:As you say chownah, both "ordinary objects" and "works of art" can provoke insight however "ordinary objects" (which by ordinary I'm presuming you mean natural/organic) have been fashioned/shaped by the designs of something other than the body-mind of man - let's call this something other God for convenience, "works of art" obviously haven't been fashioned/shaped by the designs of God.
MayaRefugee wrote:Kim,
I know you said you don't want to elaborate but isn't the tendency/instinct of nature to strive toward balance/harmony/a certain order indicative of the fact it has an intention/a design/a purpose?
If the discussion about art can proceed without invoking this concept, I'll continue to participate; if not, not.
the term ‘dhamma-niyama’ is used in the commentaries in a way that leans on the sutta expression ‘dhamma-niyaamataa’, which is a synonym for conditionality in the sense that there is an intrinsic necessity of things in nature and the universe.
Dhamma-niyaamataa: that which, as cause, invariably fixes things in our minds, as effects.
'Bhikkhus, whether there be an appearance or non-appearance of a Tathaagata, this determination of nature (dhamma.t.thitataa), this orderliness of nature [dhamma-niyaamataa] prevails: the relatedness of this to that" [idappaccayataa]'. [S ii. 25].
MayaRefugee wrote:Things in nature, by obeying or acting in accordance with this "intrinsic neccesity", when observed seem to be carrying out an intent or a purpose - I'm probably anthropomorphizing when I observe this -![]()

Kim O'Hara wrote:Hi, Annapurna,
I'm not in any way trying to blackmail anyone or control the thread.
I (really truly) didn't want or plan to say any more about 'God' but when the OP'er asked a direct question I figured, as I said, they had the right ...
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Kim

MayaRefugee wrote:Kim,
I know you said you don't want to elaborate but isn't the tendency/instinct of nature to strive toward balance/harmony/a certain order indicative of the fact it has an intention/a design/a purpose?
Peace.
"This principle [of Buddhism] means that all conditioned things and
events in the universe come into being only as a result of the interaction
of various causes and conditions. This is significant because it precludes
two possibilities. One is the possibility that things can arise from
nowhere, with no causes and conditions, and the second is that things
can arise on account of a transcendent designer or creator. Both these
possibilities are negated." - dalai lama XIV
MayaRefugee wrote:It's a very interesting topic
MayaRefugee wrote:and discovering it opened my eyes up to the presence of a "sentience projector" in my mind - I'm always asking what's the Areason for or what is the thinking behind things being the way they are - I'm guessing when I understand the 5 niyamas better this will come to an end.
MayaRefugee wrote:Anyway, this came about because chownah said "ordinary objects" can be just as insightful/beautiful as "works of art", where are we with this now?
MayaRefugee wrote:Is it suffice to say temperature can create objects which seem to be at rest that can be insightful/beautiful and an artist can emulate this phenomenon?
Annapurna wrote:We learn that there is no effect without a cause. So cause conditions an effect.
So if we think this through, then we also have to think about this universe.
What caused the universe to go "bang"?
I think here we arrive at the imponderables Buddha spoke if, or in theist religions: "God's inexplicable ways", or in the Tao Te Ching, chapter 1 : The unnameable Tao...
MayaRefugee wrote:Is it suffice to say temperature can create objects which seem to be at rest that can be insightful/beautiful and an artist can emulate this phenomenon?
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