I did a little research on the CSCD and found that the closest version to the Pāli chant linked above is perhaps the Mettākathā of the Paṭisambhidamagga (Paṭis ii.22, PTS ii.131).
In the Idriyavāra, the chapter immediately following the Mettākathā, there is a kindred formula that, related to each of the five faculties (
saddhā, vīriya, sati, samādhi and
paññā), constitutes an instrument to realize
mettācetovimutti: “
sabbe sattā averino hontu, sukhino hontu”.
The same formula is applied to the five strengths in the Bālavara (PTS ii.133), to the seven wings to awakening in the Bojjhaṅgavāra (PTS ii.134), and to the eight elements of the eightfold path (PTS ii.135).
This formula, “
sabbe sattā sukhitā hontu, dukkhā muccantu, laddhasukhasampattito mā vigacchantu” occurs in Vinayavinicchaya-ṭikā (3134) and in the Abhidhammatthasaṅgaha (ix.24).
In the Abhidhammāvatāra there are these stanzas:
“
Sukhitā hontu vāmā vā, dukkhā mucchantu vā na vā;
samiddhā vā daliddā vā, kā mamettha vicāraṇā”
(Nāmarūpapariccheda 1392);
“
Sampattīhi samijjhantu,
dukkhā muccantu pāṇino;
aho sattā sukhappattā,
hontu sattā yathā tathā”
(Nāmarūpapariccheda 1405);
“
Sādhu sattā sukhī hontu, dukkhā muccantu pāṇino;
aho sattā sukhappattā, hontu yadicchakāti ca”
(Paramatthavinicchaya 915).
Dear Ven. Bhikkhu Pesala, thank you very much for posting the link to the Burmese Chanting Book, it reminded me of lovely memories…
