by Sylvester » Sun Jul 04, 2010 1:16 pm
Dear Geoff
As to how I arrived at the conclusion that sukha and dukkha arising from mind-contact in MN 148 must refer to kāyika vedanā based on SN 36.6, I would be careful to reiterate that I said that kayika vedana includes vedana from mind-contac. Kayika vedana, as I've suggested, encompasses all vedanas from contact at any of the 6 sense-bases. Here's the entire series from MN 148, using Ven Thanissaro's translation for convenience -
"Dependent on the eye & forms there arises consciousness at the eye. The meeting of the three is contact. With contact as a requisite condition, there arises what is felt either as pleasure, pain, or neither pleasure nor pain. If, when touched by a feeling of pleasure, one relishes it, welcomes it, or remains fastened to it, then one's passion-obsession gets obsessed. If, when touched by a feeling of pain, one sorrows, grieves, & laments, beats one's breast, becomes distraught, then one's resistance-obsession gets obsessed. etc etc
Dependent on the ear & sounds...
Dependent on the nose & aromas...
Dependent on the tongue & flavors...
Dependent on the body & tactile sensations...
Dependent on the intellect (mano) & ideas (dhamma) there arises consciousness at the intellect (mano). The meeting of the three is contact. With contact as a requisite condition, there arises what is felt either as pleasure (sukha), pain (dukkha), or neither pleasure nor pain (adukkhamasukha). If, when touched by a feeling of pleasure, one relishes it, welcomes it, or remains fastened to it, then one's passion-obsession gets obsessed. If, when touched by a feeling of pain, one sorrows, grieves, & laments, beats one's breast, becomes distraught, then one's resistance-obsession gets obsessed...."
The feelings in red are the 1st dart of kayika sukha/dukha, while the blue words are the 2nd dart of cetasika sukha/dukkha. SN 36.6 identifies the 2nd dart of cetasika dukkha in exactly the same stock formula -
"in the same way, when touched with a feeling of pain, the uninstructed run-of-the-mill person sorrows, grieves, & laments, beats his breast, becomes distraught..."
As should be obvious from the 6th in the series, contact at mano first yields kayika vedana, which can then be followed by the cetasika sukha/dukkha/uppekha. The suttas have actually been very careful in distinguishing kayika mano dukkha from cetasika mano dukkha. The former is invariably described as a feeling, while the latter will in some texts be described as domanassa or the stock sutta phrase "..he sorrows, grieves, & laments, beats his breast, becomes distraught".
As SN 36.6 makes clear -
"A well-taught noble disciple likewise experiences pleasant, painful and neutral feelings..."
The difference between a putthujana and an Arahant is that the Arahant never gets afflicted with cetasika vedana, even if he/she is not immune to painful mano kayika vedana.
Ven Thanissaro's translation of SN 36.6 on AIT is quiet questionable. It reads -
"The Blessed One said, "When touched with a feeling of pain, the uninstructed run-of-the-mill person sorrows, grieves, & laments, beats his breast, becomes distraught. So he feels two pains, physical & mental. Just as if they were to shoot a man with an arrow and, right afterward, were to shoot him with another one, so that he would feel the pains of two arrows; in the same way, when touched with a feeling of pain, the uninstructed run-of-the-mill person sorrows, grieves, & laments, beats his breast, becomes distraught. So he feels two pains, physical & mental."
The Pali simply states -
"puthujjano dukkhāya vedanāya phuṭṭho samāno socati kilamati paridevati urattāḷiṃ kandati sammohaṃ āpajjati. So dve vedanā vedayati— kāyikañca, cetasikañca. Seyyathāpi, bhikkhave, purisaṃ sallena vijjheyya. Tamenaṃ dutiyena sallena anuvedhaṃ vijjheyya. Evañhi so, bhikkhave, puriso dvisallena vedanaṃ vedayati. Evameva kho, bhikkhave, assutavā puthujjano dukkhāya vedanāya phuṭṭho samāno socati kilamati paridevati urattāḷiṃ kandati sammohaṃ āpajjati. So dve vedanā vedayati— kāyikañca, cetasikañca."
One wonders what compelled him to render (i) vedana as pain; and (ii) kayika as physical.
With metta