manjusri wrote:Hello to everyone,
I am new to this forum and my question to those here: is the actual attainment of shamatha being actively promoted in the Theravada tradition these days by any of it's teachers, either here or elsewhere? We hear a lot about the importance of vipassana, but very little, it seems, about the importance of shamatha. I'm very curious how shamatha is generally regarded, and whether or not those within the tradition believe it's attainment is essential for a successful vipassana practice?
manjusri wrote:Back in 1988, I and a small group of Westerners completed a one year shamatha retreat in Washington State under the aegis of a Tibetan teacher (Gen Lamrimpa) and a Westerner, B. Alan Wallace. Shamatha, in the Mahayana sutrayana tradition, is regarded as indispensable for a successful insight practice, and yet, aside from Alan Wallace, I know of no one else who is promoting it's actual attainment.
Any feedback would be very much appreciated.
Metta,
Manjusri
daverupa wrote:Why do people generally still refer to vipassana as a practice? The jury is in: it's inaccurate. Even seeing samatha as a practice is inaccurate. They are two qualities of mind to be developed through Dhamma practice, not two types of Dhamma practice.
Vipassana is understood, in my tradition, as an analytical meditation on the emptiness of both self and phenomena.
I can't imagine, personally, how one would be capable of advancing up through the nine stages of shamatha while, at the same time, engaging in insight practice? I would imagine that anything that takes your mind off your object (mine was the breath) would be considered a distraction?
daverupa wrote:Why do people generally still refer to vipassana as a practice? The jury is in: it's inaccurate. Even seeing samatha as a practice is inaccurate. They are two qualities of mind to be developed through Dhamma practice, not two types of Dhamma practice.
That is just one of those things with which we are going to be stuck, like "taking refuge."daverupa wrote:Why do people generally still refer to vipassana as a practice? The jury is in: it's inaccurate.
manjusri wrote:In the Tibetan tradition, shamatha is considered a necessary attainment for engaging in a successful and effective vipassana or insight practice.
manjusri wrote:Vipassana is understood, in my tradition, as an analytical meditation on the emptiness of both self and phenomena.
manjusri wrote:As far as I know, the full attainment of shamatha (all nine stages) is not something that many people are working towards. This is true, I believe, in both the Mahayana and Theravadin traditions.
manjusri wrote:Is it understood, in your tradition, that one need not attain the full complement of shamatha to go on to have a non-conceptual realization of emptiness?
manjusri wrote:How, if full shamatha is not required, does one do that?
manjusri wrote:And what place do the jhanas hold in your tradition? Are they necessary?
daverupa wrote:Why do people generally still refer to vipassana as a practice? The jury is in: it's inaccurate. Even seeing samatha as a practice is inaccurate. They are two qualities of mind to be developed through Dhamma practice, not two types of Dhamma practice.
manjusri wrote: Is it understood, in your tradition, that one need not attain the full complement of shamatha to go on to have a non-conceptual realization of emptiness? How, if full shamatha is not required, does one do that? I can't imagine, personally, how one would be capable of advancing up through the nine stages of shamatha while, at the same time, engaging in insight practice? I would imagine that anything that takes your mind off your object (mine was the breath) would be considered a distraction?
There are nine stages of settling the mind (sems-gnas dgu) into a state of shamatha:
1.
Setting the mind (sems ‘jog-pa) on the object of focus. At this stage, we are merely able to set or place our attention on the object of focus, but are unable to maintain it.
2.
Setting with some continuity (rgyun-du ‘jog-pa). Here, we are able to maintain our mental hold on the object with some continuity, but only for a short time before losing it. It takes some time before we recognize that we have lost the object and before we can reestablish our focus.
3.
Resetting (glan-du ‘jog-pa). Here, we are able to recognize as soon as we have lost our mental hold on the object, and we are able to reset or restore our focus immediately.
4.
Closely setting (nye-bar ‘jog-pa). Here, we do not lose our mental hold on the object, but because the subtle mental flightiness of an undercurrent of thought and middling dullness are strong dangers and can still occur, we need to maintain their opponents very strongly.
5.
Taming (dul-bar byed-pa). Here, we no longer experience gross flightiness, the subtle flightiness of an undercurrent of thought, or gross or middling dullness. However, because we have overstrained to concentrate and have sunk too deeply inwards, we have relaxed the appearance-producing factor giving rise to the appearance of the object of focus. Consequently, we experience subtle dullness. We need to refresh and uplift (gzengs-bstod) the mental hold by remembering the benefits of gaining shamatha.
6.
Stilling (zhi-bar byed-pa). Here, although there is no longer great danger of subtle mental dullness, nevertheless in uplifting the mind, we became too excited and the mental hold became too tight. Consequently, we experience the subtle flightiness of itchiness to leave the object of focus. We need to use strong alertness to detect this and to relax our mental hold slightly.
7.
Complete stilling (rnam-pa zhi-bar byed-pa). Here, although the danger of subtle flightiness or dullness is minimal, we still need to exert effort to rid ourselves of them completely.
8.
Single-pointedness (rtse-cig-tu byed-pa). Here, by just relying on a slight effort to apply mental glue at the beginning of the session, we are able to sustain our concentration uninterruptedly throughout the session, without experiencing any level of flightiness or dullness.
9.
Absorbed setting (mnyam-par ‘jog-pa). Here, we are able effortlessly to maintain concentration, free of any interruptions, throughout the entire session. This is the attainment of absorbed concentration (ting-nge-‘dzin, Skt. samadhi.)
http://www.berzinarchives.com/web/en/ar ... matha.html
manjusri wrote:How do you et al refer to a meditation that is designed to produce shamatha?
manjusri wrote:In any event, though strictly inaccurate, does anyone misconstrue what shamatha "practice" is referring to?
Would you say that is so of kasina practice?daverupa wrote:manjusri wrote:How do you et al refer to a meditation that is designed to produce shamatha?
Meditation designed to produce samatha is also designed to produce vipassana, or it's adhamma.
Meditation designed to produce samatha is also designed to produce vipassana, or it's adhamma.
Are these the nine stages of shamatha you refer to?
There are nine stages of settling the mind (sems-gnas dgu) into a state of shamatha:
1.
Setting the mind (sems ‘jog-pa) on the object of focus. At this stage, we are merely able to set or place our attention on the object of focus, but are unable to maintain it.
2.
Setting with some continuity (rgyun-du ‘jog-pa). Here, we are able to maintain our mental hold on the object with some continuity, but only for a short time before losing it. It takes some time before we recognize that we have lost the object and before we can reestablish our focus.
3.
Resetting (glan-du ‘jog-pa). Here, we are able to recognize as soon as we have lost our mental hold on the object, and we are able to reset or restore our focus immediately.
4.
Closely setting (nye-bar ‘jog-pa). Here, we do not lose our mental hold on the object, but because the subtle mental flightiness of an undercurrent of thought and middling dullness are strong dangers and can still occur, we need to maintain their opponents very strongly.
5.
Taming (dul-bar byed-pa). Here, we no longer experience gross flightiness, the subtle flightiness of an undercurrent of thought, or gross or middling dullness. However, because we have overstrained to concentrate and have sunk too deeply inwards, we have relaxed the appearance-producing factor giving rise to the appearance of the object of focus. Consequently, we experience subtle dullness. We need to refresh and uplift (gzengs-bstod) the mental hold by remembering the benefits of gaining shamatha.
6.
Stilling (zhi-bar byed-pa). Here, although there is no longer great danger of subtle mental dullness, nevertheless in uplifting the mind, we became too excited and the mental hold became too tight. Consequently, we experience the subtle flightiness of itchiness to leave the object of focus. We need to use strong alertness to detect this and to relax our mental hold slightly.
7.
Complete stilling (rnam-pa zhi-bar byed-pa). Here, although the danger of subtle flightiness or dullness is minimal, we still need to exert effort to rid ourselves of them completely.
8.
Single-pointedness (rtse-cig-tu byed-pa). Here, by just relying on a slight effort to apply mental glue at the beginning of the session, we are able to sustain our concentration uninterruptedly throughout the session, without experiencing any level of flightiness or dullness.
9.
Absorbed setting (mnyam-par ‘jog-pa). Here, we are able effortlessly to maintain concentration, free of any interruptions, throughout the entire session. This is the attainment of absorbed concentration (ting-nge-‘dzin, Skt. samadhi.)
http://www.berzinarchives.com/web/en/ar ... matha.html
If yes, I would say that one can practice mindfulness from stage 3 onwards as sati (mindfulness) is stable.
I am not sure but I think stage 4 might be identical to what is called access concentration in Theravada - this is the traditional state one starts with insight practice when one enters samatha first (different in pure insight practice).
tiltbillings wrote:Would you say that is so of kasina practice?daverupa wrote:Meditation designed to produce samatha is also designed to produce vipassana, or it's adhamma.
manjusri wrote:At least in the Tibetan tradition I'm most familiar with, the meditation designed to produce shamatha, which is primarily a meditation designed to hold our minds on the object of meditation with clarity and stability for as long as we wish, conjoined with mental and physical pliancy, is not the same meditation designed to produce vipassana which aims to develop insight into the nature of phenomena through focused attention. Or am I missing something here?
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