Anapana meditation in Vipassana

[stevenpaul]

Hi everyone,

I notice that some teachers and authors recommend taking the breath as an object of meditation in the practice of Vipassana. At the same time, the same teachers will talk about how mindfulness of breath is great for building concentration. Next we hear how concentration power alone is insufficient for attaining deep insight into impermanence, selflessness, and suffering. We may be able to concentrate brilliantly, but no amount of concentration will ever foster enlightenment by itself. However, applying our well-developed concentration to the practice of Vipassana is a great recipe for success in Buddhist meditation. What I fail to understand is how the same practice--mindfulness of breath--can lead to two vastly different results. How can mindfulness of breath promote useful but limited concentration power (as a samadhi practice), and at the same time foster enlightenment (as a Vipassana practice).

The technique as I have heard it described is usually to focus on the square centimeter or so where the breath moves in and out of the nose, and feel the sensation of breath as it moves in and out of the nose. That routine is recommended for Samadhi practice (concentration building) and Vipassana as well, by many teachers (e.g Bhante Gunaratana and many others). It seems like these teachers are recommending the same technique for both Samadhi and Vipassana, yet state emphatically that Samadhi and Vipassana are two very different practices with different outcomes. What am I missing? I understand that some teachers (Shinzen Young, S. N. Goenka, etc.) use other objects of focus for Vipassana, but many do indeed list breath meditation as an object of focus for both Vipassana and Samadhi. Where then does the distinction lie between these practices?

I look forward to your wisdom,

Steven

[reflection]

I believe the two should not be seen that seperate. Vipassana arises as a result of samatha and vice versa. So, you can't train them seperate.

There are also teachers supporting this view. Especially the first quote is a good essay in support of this view. However, more important than essays and words is always personal experience. What do you experience? Can you train them separate or not? I ask this because you can get totally lost in these discussions.. Especially this one because it seems it has been going on for centuries. Best to believe your own practice.

From this description it's obvious that samatha and vipassana are not separate paths of practice, but instead are complementary ways of relating to the present moment.
http://www.accesstoinsight.org/lib/auth ... etool.html" onclick="window.open(this.href);return false;

Some traditions hold that samatha (calm) and vipassana (insight) are separate types of meditation, and developing jhanas is "only samatha" and does not result in wisdom. Ajahn Brahm disagrees, saying "the two are indivisible facets of the same process. Calm leads to insight and insight leads to calm."
http://buddhanet.net/budsas/ebud/ebmed099.htm" onclick="window.open(this.href);return false;

[Cittasanto]

You shouldn't seperate them, they can be cultivated seperately, but a certain amount of both would still be pressent.

Samatha provides the fuel and Vipassana the tools to break through, like at a demolition site, you can have a crane with the big ball attached, if it has fuel but no equiptment attached it can not do the job, but if it has the tools but no fuel it still can not do the job, it needs both.

[santa100]

Serenity (samatha) and Insight (vipassana) are very much related. Take the analogy of a burning candle. An unsteady or shaky candle is never be able to produce the same amount of brightness as compared to when it's is perfectly still..

[mikenz66]

Hi stevenpaul,

As others have said, any approach is going to have to build both concentration and insight to be useful. It is a common experience that using the breath, or related objects in different ways emphasises one or the other more, so abdominal motion, for example, often tends to give a less "focussed" concentration than using the breath itself (that's certainly my experience), which is probably why Sayadaw Mahasi used the "rising-falling" abdominal motion as the primary object in his instructions.

I like the discussion in the following quote , which explains that focussing on the sensations tends towards the insight end of the spectrum, whereas sinking into the concept of the breath tends towards the concentration end.

http://aimwell.org/Books/Other/Questions/questions.html
“Why did Mahāsi Sayādaw ignore ānāpānassati, which was directly taught by the Buddha, but introduced the rising-falling method?”

“Is ānāpānassati the same in essence as vipassanā and meditating on rising and falling, and able to lead to magga-phala and nibbāna?”

In answering these questions, Panditārāma Sayādaw explained the teachings of the Mahāsi Sayādaw as follows.

Ānāpānassati can take two directions. If the meditator strives to be mindful of the form or manner of the in-breath and the out-breath, then it is samatha meditation and leads to one-pointedness of mind. On the other hand, if the meditator notes the sensation of the in-breath and out-breath as it moves and touches, then it is vipassanā meditation. The element of wind or motion (vayo-dhātu) is rūpa or matter, while the awareness or consciousness of the sensation is nāma or mind. Therefore, ānāpānassati can be considered as vipassanā, and can lead to high levels of insight wisdom. However, in the Visuddhimagga, in the section on kāyānupassana, or mindfulness of body, fourteen objects of meditation are discussed, and further subdivided into objects for samatha and vipassanā meditation. In the Visuddhimagga, ānāpānassati is presented as an object of samatha meditation. Consequently, if we are to instruct meditators to develop ānāpānassati as part of vipassanā meditation, we will be inviting much unwanted and unwarranted criticism and controversy. And neither Mahāsi Sayādaw or myself would want to argue here that the Visuddhimagga, the rightly venerated classic, is at fault here.

It has been said that by noting the rising and falling of the abdomen, meditators are distancing themselves from the teachings of the Buddha. The answer to this is a firm and definite “no.” Quite apart from the success that meditators have achieved by noting rising-falling, there is much solid evidence in the Buddhist scriptures, such as Salāyatana Vagga Samyutta, to show that the method is very much a part of the Buddha’s teachings regarding mindfulness of the body, mindfulness of the elements (dhātu), and mindfulness of the five aggregates (khandhas).

You might notice that teachers who emphasis concentration and jhana more, such as Ajahn Brahm, talk about just perceiving that one is breathing, rather than the specific sensations.

In the end, it's up to the individual to use the Buddha's teaching the accumulated practice wisdom of ancient and modern teachers, and their own experience to figure out the most useful way of using these practices. Some find certain approaches easier and/or more effective than others.


Mike

[amtross]

The difference I've been able to generalize from most teachers has to do with the way you deal with the wandering mind. Vipassana techniques gererally involve noting or labelling or sometimes even staying with the new mind object. Samatha techniques generally pay less attention to secondary objects and focus more on getting the mind back to and keeping it on the primary object (the breath in this case).

May you be well,
sean

[Goofaholix]

It's a matter of emphasis, samatha emphasises staying with a primary object and vipassana emphasises working with whatever arises otr changing objects and may or may not have a primary object to fall back on.

Doesn't really matter whether that primary object is the breath at the nostrils, breath at the abdomen, or something else.

Both develop hand in hand and you can't have one without the other but you should be clear about which you are emphasising whenever you sit.

I don't think there is any point in emphasising samatha beyond the minimum needed to keep the mind reasonably stable for vipassana, unless of course you wish to develop jhana and are in a position to realistically achieve that.

[Cittasanto]

Just to make a note for you, and something which is not emphasised enough
The last set of four "stages" are part of the Dhamma tetrad of the satipatthana section of the Anapanasati sutta, and in contrast to the satipatthana sutta they are clearly more Vipassana than the dhamma section of the Satipatthana Sutta, which has these throughout btw.

This would be Concentration developing/leading onto Wisdom.

[mikenz66]

These two posts also help to clarify the differences in emphasis.

The difference I've been able to generalize from most teachers has to do with the way you deal with the wandering mind. Vipassana techniques gererally involve noting or labelling or sometimes even staying with the new mind object. Samatha techniques generally pay less attention to secondary objects and focus more on getting the mind back to and keeping it on the primary object (the breath in this case).

It's a matter of emphasis, samatha emphasises staying with a primary object and vipassana emphasises working with whatever arises or changing objects and may or may not have a primary object to fall back on.

This is all consistent with AN 4.41Samadhi Sutta:
http://www.accesstoinsight.org/tipitaka ... .than.html" onclick="window.open(this.href);return false;

"Monks, these are the four developments of concentration. Which four? There is the development of concentration that, when developed & pursued, leads to a pleasant abiding in the here & now. There is the development of concentration that, when developed & pursued, leads to the attainment of knowledge & vision. There is the development of concentration that, when developed & pursued, leads to mindfulness & alertness. There is the development of concentration that, when developed & pursued, leads to the ending of the effluents.
...

The "pleasant abiding" is jhana
I'm unclear how to understand the knowledge & vision section.
The third, mindfulness & alertness, is seeing rising and falling of feelings, perceptions, thoughts.
The fourth, ending of the effluents, rise and fall in terms of of khandhas (aggregates).

I think that sutta is worth studying to see that these differences in emphasis are not a post-Sutta invention.


Mike

[retrofuturist]

Greetings,

I think that sutta is worth studying to see that these differences in emphasis are not a post-Sutta invention.

Correct, but regarding them as discrete and separable paths is. Reflection's quotations above are apt.

Metta,
Retro.

[mikenz66]

Greetings,

I think that sutta is worth studying to see that these differences in emphasis are not a post-Sutta invention.

Correct, but regarding them as discrete and separable paths is. Reflection's quotations above are apt.

No one is saying they are separate paths, but that sutta clearly describes some different "actions" and experiences.


Mike

[retrofuturist]

Greetings Mike,

No one is saying they are separate paths, but that sutta clearly describes some different "actions" and experiences.

No one here is saying it, but as Reflection's quotations show, there are indeed those who readily cleave them into separate paths. That act of cleaving is post-Sutta, but as you say, there are indeed "differences in emphasis" within the suttas. My statement wasn't to contradict yours, only to caveat it - hence why I said, "Correct, but..."

Metta,
Retro.

[mikenz66]

Well, as I've said, I don't actually think anyone really teaches them as completely separate "paths". Certainly not the so-called "vipassana" approaches I'm familiar with (Goenka, Mahasi, various Ajahn Chah students...). However, there is ample evidence in the suttas that they can be developed with more emphasis on one or the other at any given time, which is what is taught.

See:
http://www.accesstoinsight.org/tipitaka ... .than.html" onclick="window.open(this.href);return false;
Samadhi Sutta: Concentration (Tranquillity and Insight)


Mike

[pegembara]

"And how is mindfulness of in-&-out breathing developed & pursued so as to bring the four frames of reference to their culmination?

"[1] On whatever occasion a monk breathing in long discerns, 'I am breathing in long'; or breathing out long, discerns, 'I am breathing out long'; or breathing in short, discerns, 'I am breathing in short'; or breathing out short, discerns, 'I am breathing out short'; trains himself, 'I will breathe in...&... out sensitive to the entire body'; trains himself, 'I will breathe in...&...out calming bodily fabrication': On that occasion the monk remains focused on the body in & of itself — ardent, alert, & mindful — putting aside greed & distress with reference to the world. I tell you, monks, that this — the in-&-out breath — is classed as a body among bodies, which is why the monk on that occasion remains focused on the body in & of itself — ardent, alert, & mindful — putting aside greed & distress with reference to the world.

"[2] On whatever occasion a monk trains himself, 'I will breathe in...&...out sensitive to rapture'; trains himself, 'I will breathe in...&...out sensitive to pleasure'; trains himself, 'I will breathe in...&...out sensitive to mental fabrication'; trains himself, 'I will breathe in...&...out calming mental fabrication': On that occasion the monk remains focused on feelings in & of themselves — ardent, alert, & mindful — putting aside greed & distress with reference to the world. I tell you, monks, that this — careful attention to in-&-out breaths — is classed as a feeling among feelings,[6] which is why the monk on that occasion remains focused on feelings in & of themselves — ardent, alert, & mindful — putting aside greed & distress with reference to the world.

"[3] On whatever occasion a monk trains himself, 'I will breathe in...&...out sensitive to the mind'; trains himself, 'I will breathe in...&...out satisfying the mind'; trains himself, 'I will breathe in...&...out steadying the mind'; trains himself, 'I will breathe in...&...out releasing the mind': On that occasion the monk remains focused on the mind in & of itself — ardent, alert, & mindful — putting aside greed & distress with reference to the world. I don't say that there is mindfulness of in-&-out breathing in one of lapsed mindfulness and no alertness, which is why the monk on that occasion remains focused on the mind in & of itself — ardent, alert, & mindful — putting aside greed & distress with reference to the world.

"[4] On whatever occasion a monk trains himself, 'I will breathe in...&...out focusing on inconstancy'; trains himself, 'I will breathe in...&...out focusing on dispassion'; trains himself, 'I will breathe in...&...out focusing on cessation'; trains himself, 'I will breathe in...&...out focusing on relinquishment': On that occasion the monk remains focused on mental qualities in & of themselves — ardent, alert, & mindful — putting aside greed & distress with reference to the world. He who sees with discernment the abandoning of greed & distress is one who watches carefully with equanimity, which is why the monk on that occasion remains focused on mental qualities in & of themselves — ardent, alert, & mindful — putting aside greed & distress with reference to the world.

"This is how mindfulness of in-&-out breathing is developed & pursued so as to bring the four frames of reference to their culmination.

http://www.accesstoinsight.org/tipitaka ... .than.html" onclick="window.open(this.href);return false;

[stevenpaul]

Thank you all for the great thread. I have much more to go on now. I'm reasonably convinced by the posts of Mike66, Amtross, and Goofaholix that Anapana could be used to cultivate samadhi when we focus away from distractions and also used for sati when we temporarily focus on distractions before returning to the breath. The difference between Anapanasati and Anapanasamadhi (if I might coin such a term), therefore, relates to our position on distractions. If we bring ourselves back to the breath, rigorously focusing away from any and all distractions, we are cultivating samadhi. On the other hand, if we allow attention to be pulled towards distractions as they arise, equanimously observing them, noting or labeling if we choose to, & then return to the breath, we are cultivating sati.

Thanks again,

Steven